After the closure of their shipyard in Northern Spain, a few former workers: Santa, José, Lino, Amador, Sergei and Reina keep in touch. They meet mainly at a bar owned by their former colleague Rico. Santa is the most superficially confident and unofficial leader of the group. A court case hangs over him relating to a shipyard lamp he smashed during a protest against the closure. José is bitter that his wife, Ana, is employed when he is not.

Lucio Bordenave carries on the Grey lifestyle of an unemployed worker, dedicated to the trade of watchmaking, until in a somewhat mysterious way, his wife is admitted to a Frenopatic Institute. From this point on, the story enters a territory without parameters where reality is confused with the imaginary, sleep with wakefulness, and insanity with lucidity.

Father KIM and Hyung-woo, a sixth-grader, travel together to the quiet village of Boriwool. Kim is going there to start his priesthood as pastor of Boriwool Church, Hyung-woo to see his dad Woon-ahm, who left his family six years ago to become a Buddhist monk. Hyung-woo feels awkward with his dad and becomes bored with living in the country. Father Kim also finds some of his flock quite antagonistic to him.Meanwhile, the village kids coached by Woon-ahm play the church orphans in a soccer match. After the orphans are beaten soundly, Father Kim begins coaching them...

Father KIM and Hyung-woo, a sixth-grader, travel together to the quiet village of Boriwool. Kim is going there to start his priesthood as pastor of Boriwool Church, Hyung-woo to see his dad Woon-ahm, who left his family six years ago to become a Buddhist monk. Hyung-woo feels awkward with his dad and becomes bored with living in the country. Father Kim also finds some of his flock quite antagonistic to him. Meanwhile, the village kids coached by Woon-ahm play the church orphans in a soccer match. After the orphans are beaten soundly, Father Kim begins coaching them...

Mina Tepeş, the Princess of the ancient covenant and ruler of all vampires, wants her race to stop hiding from the humans. Using her vast wealth, she has paid off Japan's entire national debt and by doing so, gained the right to create a district off Japan's coast that is to become the future haven to vampires worldwide. But when she finally attempts to make public the existence of vampires to the world some politicians, terrorists and rival factions are plotting to assassinate Mina before she has a chance to get Japan's and international recognition for the Vampire Bund. Now she must rely on her strength, cruelty and those closest to her, while trying to make a normal life.

A drifter faces off against a band of mercenaries with the help of a frontier woman and her young daughter.

A drifter faces off against a band of mercenaries with the help of a frontier woman and her young daughter.

Águst Guðmundsson directed this Icelandic period drama, adapted from the short story We Must Dance by William Heinesen, and set on an island in 1913.Pétur (Gunnar Helgason) narrates, recalling the days when mainlanders arrived for a wedding. Flirtatious Sirsa (Pálína Jónsdottir) marries Harald (Dofri Hermannsson), son of a wealthy landowner on the island.Offshore, a ship is sinking, so the men form a rescue party, returning with the captain, the engineer, and several sailors. With a storm gathering, the engineer dies. The clergyman requests an end to the festivities as a mark of respect. Sirsa protests, but her new husband brings the celebration to a halt. The group then fragments into different activities, drunken or otherwise, and the sensual Sirsa directs her attention toward the handsome Ívar (Baldur Trausti Hreinsson).The film's score features traditional folk music.